尼古拉•布里奥（Nicolas Bourriaud），法国著名艺术评论家，策展人，法国巴黎高等美术学院院长。1996年至2006年，担任当代艺术空间巴黎东京宫的联合总监。他曾是当代艺术杂志《艺术文献》的创办人和负责人。2009年第四届泰特三年展的策展人，2014年台北双年展策展人。著有《关系美学》《后制品》等书。

奈杰尔•斯皮维（Nigel Spivey） 英国剑桥大学古典艺术与考古学学者。著有《青铜上的歌》《古代奥运会》等书，曾担任BBC/PBS纪录片《艺术创世记》主持人。 盛夏（译者） 独立撰稿人、翻译工作者。美国艾奥瓦州立大学博士。2013年起从事艺术领域翻译工作，与《艺术新闻》《艺术界》等媒体以及豪瑟沃斯画廊等知名艺术机构长期合作。

作者簡介 納托．湯普森（Nato Thompson） 是作家兼策展人。現職為費城當代館（Philadelphia Contemporary）的藝術總監。在此之前，他曾自二〇〇七年起擔任創意時代（Creative Time）藝術總監。他的其他著作包括了《觀看權力的方式：改變社會的21世紀藝術行動指南》（Seeing Power : Art and Activism in the Twenty-first Century）、以及推想奇幻小說《沼歌》（Marshsong）。 譯者簡介 石武耕 台北人。政大廣告系、台灣大學新聞所畢，巴黎第十大學傳播學博士班肄業。 譯作《藝術的法則：文學場域的生成與結構》（合譯）、《編劇的藝術》（合譯）、《深南地方》、《形象科學》。

The untold story of how Japan became a cultural superpower through the fantastic inventions that captured—and transformed—the world’s imagination.

The untold story of how Japan became a cultural superpower through the fantastic inventions that captured—and transformed—the world’s imagination.

It may be time to forget the art world--or at least to recognize that a certain historical notion of the art world is in eclipse. Today, the art world spins on its axis so quickly that its maps can no longer be read; its borders blur. In Forgetting the Art World, Pamela Lee connects the current state of this world to globalization and its attendant controversies. Contemporary a...(展开全部)

In the 21st century photography has come of age as a contemporary art form. Almost two centuries after photographic technology was first invented, the art world has fully embraced it as a legitimate medium, equal in status to painting and sculpture. This book provides an introduction to the extraordinary range of contemporary art photography, from portraits of intimate life to ...(展开全部)

The first accessible guide to the key artists and uses of photography in contemporary art since the mid-1980s. An ideal introduction to this popular subject in contemporary culture, this highly readable book surveys work by more than 150 artist-photographers: Andreas Gursky, Nan Goldin, Philip-Lorca di Corcia, Richard Billingham, Jurgen Teller, Thomas Demand, Yinka Shonibare...(展开全部)

本书作者夏洛特·科顿是策展人、作家。她曾担任美国洛杉矶州立博物馆瓦里斯·安嫩伯格摄影部主管，英国伦敦摄影家艺术馆的项目负责人，英国国立媒体博物馆创意总监，伦敦维多利亚和阿尔伯特博物馆摄影策展人。她策划了许多当代摄影展，出版了《缺憾之美》《万物归于平静》《盖伊·伯尔丁》等书。她也是wordswithoutpictures.org和EitherAnd.org这两个网站的创始人。

The first accessible guide to the key artists and uses of photography in contemporary art since the mid-1980s. An ideal introduction to this popular subject in contemporary culture, this highly readable book surveys work by more than 150 artist-photographers: Andreas Gursky, Nan Goldin, Philip-Lorca di Corcia, Richard Billingham, Jurgen Teller, Thomas Demand, Yinka Shonibare...(展开全部)